August Osage County (2013) | vejez No.1

Continue reading “August Osage County (2013) | vejez No.1”

Advertisements

Gefilte fish | Passover Seder | a Jewish family story on Tradition

———————————–

which makes me think of traditions of my own culture which as I grew up had gradually dissipated. It is the case in my family but I think it’s a general trend. It is only when I’m abroad, far away from home, that I feel their absence (the traditions) and a gnawing sense of emptiness and loss. Part of the reason is probably better economy. Eating out on a day of traditional holiday is now easily affordable for most families, and as a result the adults no longer cook together at home with all the talk, the gossips, the messiness, and occasional unpleasantness. The younger generation (and increasingly the elders too) has their eyes always on the phone. Many rituals are no longer performed or done offhandedly as a chore. All the joy and sense of belonging and rootedness inseparable to those traditions and rituals, however primitive they might be, are no longer felt as much as before. I watched this video with envy (in an admiring way).

Bosch, Garden of Earthly Delights | La planète sauvage (1973) | The Holy Mountain (1973)

The Garden of Earthly Delights Triptych

Hieronymus Bosch, Garden of Earthly Delights, 1503-1515

Details:

Bosch Delights detail 1

Bosch Delights detail 4

Fantastic Planet (by René Laloux) is an animated film of an allegorical story about humans living on a strange planet dominated by giant humanoid aliens who consider them animals. It’s based on the 1957 novel Oms en série by French writer Stefan Wul. (wikipedia)

Image result for fantastic planet

(The mermaid in The Shape of Water (2017) seems to be a modern variation of the humanoid [the blue creature] in Fantastic Planet.)

It’s one of those films that creep its way from beginning to end. The images and plot seem very biblical but there’s evidently something more.

Continue reading “Bosch, Garden of Earthly Delights | La planète sauvage (1973) | The Holy Mountain (1973)”

The Silent Child (2017) | shorts

The Oscar’s nominations for the shorts of this year are disappointing. Especially for live action, compared to how I felt in the cinema last year, this year is a total let-down. The Silent Child is the only one that I think attains to the level of quality that I was expecting. And it won. The heart and soul of the film (from people who made it) are very much palpable, so much so that the feelings easily reach you and it all becomes comprehensible.

Continue reading “The Silent Child (2017) | shorts”